In Love… With Renée Fleming

Monday 2nd November 7:30pm

at Symphony Hall

Renée Fleming soprano
Royal Philharmonic Orchestra
Charles Dutoit conductor

Prokofiev Suite, Romeo and Juliet
Tchaikovsky Tatyana’s Letter Scene from Eugene Onegin
Tchaikovsky Fantasy Overture, Romeo and Juliet
Leoncavallo Svaria sulla bocca viva from La Boheme
Leoncavallo Pinson la biondetta from La Boheme
Giordano Nella suo amore from Siberia
Puccini Sola perduta, abandonata from Manon Lescaut

There are few more famous divas than soprano Renée Fleming, whose fame has soared into realms normally reserved for pop music superstars. The effortless ease of her distinctive tone brings a breathtaking sheen to every note she sings. She returns to Symphony Hall after a break of six years in a programme on the theme of love. www.thsh.co.uk

Classic FM’s Anne-Marie Minhall, says of tonight’s recommended concert: “Renée Fleming is undoubtedly a soprano in a league of her own. The double Grammy winner is an outstanding solo performer. Don’t miss this chance to catch this world-class singer live.”

Review by David Hart, Birmingham Post:

http://www.birminghampost.net/life-leisure-birmingham-guide/birmingham-culture/music-in-birmingham/2009/11/04/review-ren-e-fleming-royal-philharmonic-orchestra-at-symphony-hall-65233-25091167/

“Real passion and commitment came later. The section leading up to the Death of Tybalt displayed palpably thrilling sonorities, while in Tchaikovsky’s Romeo and Juliet fantasy-overture (just imagine what a Tchaikovsky ballet, or even opera on this subject might have been like) Dutoit avoided any suggestion of warhorse posturing, building climaxes in a purposefully expressive way and keeping the love theme under control right up to its final, poignant appearance in the coda.”

Review by Geoff Read, Seen and Heard UK

http://www.musicweb-international.com/sandh/2009/Jul-Dec09/Fleming_0211.htm

…”The final scheduled aria was Sola, perduta, abbandonata, from Puccini’s Manon Lescaut: Fleming had saved the best for last, demonstrating why she has reached her star status. At last, we had an aria that displayed drama and passion with orchestra and soloist on the same wavelength.”…

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