Wednesday 28 September 2011 at 7.30pm
Symphony Hall, Birmingham +44 (0)121-780 3333
City of Birmingham Symphony Orchestra
Andris Nelsons conductor
Christian Tetzlaff violin
Strauss: Don Juan 18′
Dvořák: Violin Concerto 31′
Brahms: Symphony No. 2 39′
Hold onto your seats – because no piece of music explodes into life more thrillingly than Richard Strauss’s dazzling Don Juan. And no-one conducts it with more verve than Andris Nelsons. That’s just the start of a concert that finds the great Christian Tetzlaff playing Dvorák’s lovely song-and-dance of a Violin Concerto, and Nelsons and the CBSO luxuriating in the warm glow of Brahms’s sunniest and most lyrical symphony. Happy endings guaranteed!
Christian Tetzlaff’s encore – Bach Partita No 3 in E Major – Gavotte en rondeau
Review by Michael Church, Independent:
… “You couldn’t wish for a better exponent today than the German violinist Christian Tetzlaff, with his Protean ability to take on the character of whatever work he is playing. The character here was Slavonic, and from his opening flourish he found a genial sweetness of tone. Even when playing pianissimo and stratospherically high, he still dominated the orchestra, with Andris Nelsons calibrating the textures in sympathetic support. In the melody-rich Adagio, Tetzlaff’s job was to sing non-stop, and he did this as one imagines his Central European predecessors must have done a century ago.” …
Review by Patsy Fuller, Coventry Telegraph:
“It’s a real a treat to hear Dvorak’s Violin Concerto in the concert hall. […]
[…] CBSO concerts are always exciting with Nelsons at the helm and this was up there with the very best.”
Rating * * * * *
Review by Christopher Morley, Birmingham Post (for matinee of same programme):
… “but a poignant one, too, as it was bassoonist John Schroder’s last Birmingham concert after 45 years with the CBSO.
Appropriately, it ended with Brahms’ Symphony no.2, probably one of the first works John ever played with the orchestra in 1966.
Typically for John, in Thursday’s reading he was part of a well-knit woodwind ensemble, delivering Brahms’ pastoral colourings with character and suave empathy. Brass and strings brought a golden, well-cushioned glow to the familiar score, and Nelsons did wonders shaping counterpoints and counter-melodies, and building what can appear a sprawling finale to a convincing conclusion.” [ … ] Rating * * * * *