Wagner’s Ring: Die Walküre

Wagner’s Ring: Die Walküre

Birmingham International Concert Season 2011/12

Part of Symphony Hall 21st Anniversary Festival… more events…

Part of Birmingham International Concert Season 2011/12… more events…

Saturday 30 June

Symphony Hall

Symphony Hall logo
 

Opera North
Alwyn Mellor Sieglinde
Annalena Persson Brunnhilde
Erik Nelson Werner Siegmund
Béla Perencz Wotan
Katarina Karnéus Fricka
Clive Bayley Hunding
Katherine Broderick Helmwige
Meeta Raval Ortlinde
Miriam Murphy Gerhilde
Jennifer Johnston Waltraute
Madeleine Shaw Siegrune
Catherine Hopper Rossweisse
Antonia Sotgiu Grimgerde
Emma Carrington Schwertleite
Richard Farnes conductor
Dame Anne Evans artistic consultant
Peter Mumford concert staging and lighting/projection design

Erik Nelson Werner replaces Jeffrey Lloyd Roberts in the role of Siegmund.

Wagner Die Walküre  

This concert has a running time of c. 5 hours 30 minutes including two intervals:

Act 1: 66’

Interval 30’

Act 2: 94’

Interval 60’

Act 3: 73’

Opera North is joined by an outstanding international cast for the second instalment of their four-year Ring cycle. In Die Walküre the focus shifts from the politics of the gods to human passion. As the epic saga unfolds, we meet the ill-fated children of the gods, discover the magical sword that will forever shape their destiny, and encounter the fearsome Valkyries whose legendary ride has never sounded more exciting than here in its original context.

Concert performance sung in German with English surtitles. Please note surtitles may not be visible from every seat. Symphony Hall is a large hall and surtitles can be harder to read from the Grand Tier. To be sure of best visibility, book seats in centre stalls, centre circle or centre upper circle or check with box office before booking.

One of a series of Wagner’s greatest operas, performed in the space of 6 months as part of Symphony Hall’s 21st Anniversary Festival.
The Royal Opera: Die Meistersinger – Wednesday 11 January
Tristan und Isolde – Saturday 3 March
Good Friday: Gergiev conducts Parsifal – Friday 6 April

www.thsh.co.uk

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Blog post by RestrictedView, Recitative:

Click here for full review

…     “That Wotan was quite a revelation. Hungarian bass-baritone Béla Perencz had a large, resonant voice and bags of dramatic oomph to lavish on the role. His anger in Act 3 was as formidable as his farewell was touching. Katarina Karnéus started out seeming slightly underpowered as Wotan’s hectoring but entirely reasonable wife, Fricka. However, by the time of her hymn she was launching a fearless attack on him, relishing the drama of the confrontation, and thoroughly enjoying her triumph over Brünnhilde. Clive Bayley had the equal measure of Hunding’s bluster and danger, using a voice of quite astonishing size to project it to the furthest reaches of Symphony Hall (and had a door been left open probably most of the West Midlands). Siegmund was Erik Nelson Werner and it was a joy to have the lead principals completed by so strong a performance.”     …

 

Review by Diane Parkes, BehindTheArras:

Click here for full review

…     “Wagner’s music was confidently handled by the Orchestra of Opera North and conducted by Richard Farnes.

And all of the singers rose to the challenge. Annalena Persson made a very human Brunnhilde, the Valkyrie who loses her divinity after understanding love for the first time and disobeying her father. We saw her defiant and then humble as she tried to appeal to the better nature of her father Wotan (Bela Perencz) but also very gentle and caring when she entered the world of mortals.”     …

 

Blog review by BH, Larkreviews:

Click here for full review

…     “The second instalment of Opera North’s semi-staged Ring Cycle came to Birmingham to a rapturous ovation. It was well deserved. In over half a century of Walküre performances, I can’t recall a line up of Valkyries as effective as that which hit us at the start of Act 3. Not only were the individual singers exemplary, but their combined strength, within the Symphony Hall acoustic, was thrilling in a way that is rarely true of the opera house.”     …

 

Reviews for performances elsewhere…

Review by Tim Ashley, Guardian (for performance at Leeds Town Hall)

Click here for full review

Review by Rupert Christiansen, Telegraph (for performance at Leeds Town Hall)

Click here for full review

Review by Ron Simpson, WhatsOnStage (for performance at Leeds Town Hall)

Click here for full review

Review by Graham Rickson, TheArtsDesk (for performance at Leeds Town Hall)

Click here for full review

Review by Sarah S Scott, ChronicleLive (for performance at Sage Gateshead)

Click here for full review

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