Screening with live music
Friday 14th June
Benjamin Wallfisch conductor
Ex Cathedra choir
|2001: A Space Odyssey||(film screening, Certificate U)|
Live presentation in association with Warner Bros., Southbank Centre and the British Film Institute.
Concert lasts approximately 2 hours 45 minutes including a 20 minute interval.
2001: A Space Odyssey is one of the greatest science fiction films of all time, celebrated for its special effects and use of music. The film brought worldwide fame to Strauss’s Also Sprach Zarathustra, accompanying a primeval sunrise, and the unnerving music of Ligeti. It also created one of cinema’s most memorable images: a spaceship floating serenely through space to the strains of the Blue Danube waltz. This is a unique chance to experience it with the thrill of full orchestra, organ and chorus, all live for those unforgettable moments.
Classic FM’s Anne-Marie Minhall, says of tonight’s concert:
A project like this shows exactly why the Philharmonia Orchestra is one of our great musical institutions. It prides itself on pioneering new and diverse ways of sharing music. Don’t miss!
Ex Cathedra is a Town Hall Associate Artist.
Review by Jon Perks, Birmingham Mail:
Click here for full review
… “From the latter’s first bars, as apes discover how to use tools as weapons, the music and visuals work as one.
The crescendo as the lead ape, Moonwatcher, throws his newly acquired weapon into the air, is a real ‘neck Mohican’ moment. With the fabulous Ex Cathedra choir and Philharmonia Orchestra, the score took on another dimension as it was performed live, the film projected on a mammoth screen behind them.
Timpani boomed, strings murmured, brass fanfared each new age of man. While the likes of The Blue Danube paint a serene landscape, Ligeti’s spectral, eerie Requiem and Atmospheres are used to incredible effect for The Dawn of Man and Stargate sections, a haunting sea of voices singing noises, not recognisable words.
The overall effect was mesmerising…” …
Review by Ian Harvey, Express and Star:
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… “Kubrick’s genius in his choice of music for his film was laid bare as the Philharmonia Orchestra, under the baton of Benjamin Wallfisch, filled Symphony Hall with awe and power. Also Sprach Zarathustra (the Apollo mission launch music to so many of us of a certain age) appears no less than three times in the film and loses none of its ability to thrill and inspire for that.
But what this particular performance highlighted more than anything was the astonishing impact the selection of pieces by the modern composer György Ligeti have as they are scattered throughout the film.
The sighting of the second monolith, on the moon, and the still visually thrilling, acid trip-like journey to Jupiter and beyond were accompanied by jagged, pulsing sounds that were unnerving and utterly unworldly.” …