Wagner’s Ring: Götterdämmerung

Part of Birmingham International Concert Season 2013/14 Concert Package and Birmingham International Concert Season 2013/14

Saturday 21st June

Symphony Hall

Alwyn Mellor Brünnhilde
Mati Turi Siegfried
Mats Almgren Hagen
Orla Boylan Gutrune
Eric Greene Gunther
Jo Pohlheim Alberich
Susan Bickley Waltraute
Katherine Broderick Woglinde
Madeleine Shaw Wellgunde
Sarah Castle Flosshilde

Orchestra and Chorus of Opera North
Richard Farnes conductor
Peter Mumford staging and design, lighting and projection design
Dame Anne Evans vocal consultant

Wagner Götterdämmerung 270’

This performance has a running time of c 6 hours including
two intervals of 30 and 75 minutes.

Act I 3.30pm – 5.45pm
Interval 75mins
Act II 7pm – 8.10pm
Interval 30 mins
Act III 8.40pm – 10pm

Opera North’s visually-stunning concert production of Wagner’s Ring Cycle has been acclaimed as one of the supreme achievements in recent British opera. ‘If the cycle continues at this level’ said The Spectator’s Michael Tanner of Das Rheingold ‘it will rank as one of the greatest ever’.

Today, in Götterdämmerung the final tragedy unfolds, as Siegfried falls amongst enemies, Brünnhilde’s love is betrayed and the gods themselves confront the end of a world.

An epically tremendous achievement
The Daily Telegraph ****

Oliver Condy, Editor of BBC Music Magazine explains why he has recommended today’s concert:

The final opera in Wagner’s magnificent Ring Cycle doesn’t go out with a whimper. As the Ring gets returned to the Rhine, Wagner conjures up, with awesome power, Valhalla’s and the gods’ fiery destruction. But not before one of Wagner’s most dramatic and overwhelming scenes – Siegfried’s death and funeral march.

Concert performance sung in German with English surtitles. Please note surtitles may not be visible from every seat. Please check when booking.

2.15pm Free pre-performance talk: Opera North’s Head of Music Martin Pickard in conversation with Stuart Leeks about the final installment of Wagner’s epic Ring cycle. The talk takes place in the auditorium and is free to all ticket-holders for the performance. Opera North’s pre-performance talks are made possible by the generous support of the Friends of Opera North.

A collaboration with Opera North, Symphony Hall, Birmingham and The Sage, Gateshead.

Financially supported by the Opera North Future Fund and The Ring Fellowship.

http://www.thsh.co.uk

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Review by Diane Parkes, BehindtheArras:

Click here for full review

…     “All of the cast are wonderful. Alwyn Mellor is a mighty Brunnhilde. She is gentle and endearing in love and mourning but gloriously terrifying when on the path of vengeance. You wouldn’t want to get in this Valkyrie’s way!

Also impressive is Mats Almgren as the scheming Hagen. Evil enough to sacrifice his half-brother and half-sister to his machinations, he is yet so believable they all fall for his flattery. But we also see his own vulnerability when he is forced to face his even more monstrous father Alberich (Jo Pohlheim), the Nibelung dwarf who stole the Rhinegold and then saw it stolen in his turn.

Mati Turi plays Siegfried as a bit of a simpleton. He may be a great hero of Germanic tradition but he does fall prey to Hagen’s tricks and bring about Brunnhilde’s revenge. And when the Rhinemaidens warn that the ring is cursed and beg him to return it, he simply shrugs off ‘women’s wiles’ and heads off for a drink instead. It takes death and Brunnhilde’s eulogy to reinstate him as the great hero.

And so, at the end, we also see the destruction of the Gibichung siblings Gunther (Eric Greene) and Gutrune (Orla Boylan) who gave in to the temptation offered by Hagen but could not foresee its terrible results.

As the fires burn on Siegfried’s funeral pyre and at the hall of the Gods, Valhalla, the screens are filled with red flames and the orchestra finally becomes silent.

In Birmingham the applause and standing ovations were tremendous – and richly deserved. This really has been an epic journey.”     …

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Review by Christopher Morley, Birmingham Post:

Click here for full review

…     “Everything, of course, is built upon the orchestra, teemingly textured with Leitmotiven we have learned to assimilate during the 14-plus hours of the tetralogy, and under the well-paced baton of Richard Farnes the Orchestra of Opera North provided a wonderfully warm, sonorous, detailed and subtle cushion for the uniformly brilliant soloists.

Many of the singers had come with the valuable experience of singing in Longborough Festival Opera’s Ring cycle: Alwyn Mellor the most touching Brunnhilde I have ever heard, subtle right to the end of her world-denouncing Immolation; Mati Turi a much more genial Siegfried than we usually suffer, and capable of disguising his voice in the horrid betrayal scene; and Lee Bisset was one of a trio of Norns with unexpected personality.

Of the other soloists, Eric Greene was a thoughtful, self-doubting Gunther, Orla Boylan a Gutrune much more three-dimensional than this normally wan cipher, and as their villainous half-brother Hagen Mats Almgren sang chillingly and had the look of one of the nastiest of Eastenders.  Susan Bickley’s Waltraute, so grippingly delivered,”     …

*****

 

 

 

 

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Review by Alfred Hickling, Guardian (Leeds Town Hall performance):

Click here for full review

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Review by Rupert Christiansen, Telegraph (Leeds Town Hall performance):

Click here for full review

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Review by Graham Rickson, TheArtsDesk (Leeds Town Hall performance):

Click here for full review

 

 

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