Thursday 7th May, 7.30pm
Symphony Hall, Birmingham +44 (0)121 345 0600
- Haydn Symphony No. 103 (Drumroll), 29′
- Mozart Violin Concerto No.4 in D Major, 24′
- Prokofiev Violin Concerto No. 2, 26′
- Haydn Symphony No. 104 (London), 29′
No two great composers were ever closer than Mozart and Haydn, and there’s a smile in every bar of this delightfully entertaining concert. Two of the wittiest and warmest symphonies ever written frame lively concertos by Haydn’s best friend, and his biggest 20th century fan. Andris Nelsons’ schoolfriend Baiba Skride is the soloist. This is going to be fun: this spring, put a spring in your step!
Review by Sarah Probert, Birmingham Post: (for matinee of same programme)
Click here for full review
… “The Mozart was neat and crystalline, Skride’s bow resourceful and articulate in communication, her dovetailing with the orchestra triumphant at the end of the first movement cadenza.
The Prokofiev brought piercing purity of intonation in an amazingly empathetic collaboration with the CBSO under Andris Nelsons (Skride’s old schoolmate).
The opening movement quite rightly emphasised the music’s folklore narrative, the andante was full of veiled fantasy launched by the whispering tones of the CBSO strings, and the finale was a louche dance of death, the pearly bass-drum obbligato grimly delivered by Andrew Herbert.
Skride’s performances came as the announcement was made that next season she is to be artist-in-residence with the CBSO.
Sadly there is no Andris Nelsons in that prospectus, and as his tenure as the orchestra’s music director comes to a close he seems on fire.
I have never seen him so relaxed and so balletic (even for him) on the podium.
He has developed a back-handed resource to his conducting, and has the confidence in his orchestra just to sweep across 180 degrees, knowing that they are with him every beat of the way. Will Boston ever experience such a sense of unity, I wonder?” …