Brahms’ Fourth: Youth Orchestra Academy

Sunday 26th July, 7.00pm

Featuring

Programme

  • Lindberg Aventures, 12′
  • Strauss Le Bourgeois Gentilhomme – suite, 36′
  • Brahms  Symphony No. 4, 40′

“Astonishing” was one critic’s verdict on the CBSO Youth Orchestra’s recent 10th anniversary concert. Now the superb young players bring the birthday celebrations to a close with a concert that looks both forwards and back. Brahms’s mighty Fourth Symphony draws its strength from Bach, while Richard Strauss’s delicious Le Bourgeois gentilhomme brings the baroque spirit dancing into the 20th century. First, though, take a joyride through four centuries of orchestral favourites with one of our most brilliant living composers.

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Review by Katherine Dixson, BachTrack:

Click here for full review

…     “Highlights included the gentle oboe joined by other winds and horns in the overture; flutes bringing out the dance-like quality of the minuet; the exuberance and confidence of the piano/trumpet combination painting the fencing master’s antics; leader Charlotte Moseley weaving in and out with the tailor’s precision stitches making sure the gentleman is suitably clad; an affecting, poignant muted sarabande; and the sheer joie de vivre of the dinner party itself, falling scales passed around the instruments like infectious laughter. The audience lapped it up and Seal applauded his players before turning to acknowledge the warm reception himself.

After the interval the stage was once more filled to the brim for Brahms’ Symphony no. 4 in E minor. As it happens, my last review also featured this piece, played by the Dresden Philharmonic, so how would these less experienced players fare by comparison? Let’s just say they didn’t just fill the stage, they owned it! The CBSO YOA tackled Brahms’ massive structure of a work with maturity beyond their years and really came into their own. From the confident, majestic attack and warmth of the strings, through fine handling of tempo changes to the first movement’s passionate close, they showed both discipline and musicality. The second movement allowed us a good wallow, the unanimity of the lower strings’ pizzicato paired with the poised line of brass and wind. In the third movement they brought out both a playful and martial feel, confident answering chords moving on apace. Full marks to the flute solo in the final movement, as well as the clarinet and eloquent trombones. Turning the corner into the clamorous closing stages, with staccato urgency and energy, this enthusiastic and talented orchestra rounded off a fine night of music-making. The audience may not have been full, but we enjoyed it fully.”

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Review by Maggie Cotton, Birmingham Post:

Click here for full review

…     “A totally accessible, rarely performed, R Strauss’s ‘Le Bourgeois Gentilehomme’ suite charmed and delighted all. The reduced baroque orchestra has many exposed personal solos, from tender oboe, cello and viola to a sturdy bass trombone. As ever Strauss enjoys stretching his horns to the full, added to which the six percussionists tactfully made their mark with good effect. Smiling music for all, especially the braying sheep and twittering interruptive birds!

Then to the true meat of this evening: Brahms’ Symphony No 4. The full orchestra swept in with gutsy strings and splendid woodwind solo snippets. Although do take care with truly clean violin entries, even one hesitation shows through. Determined pizzicatos threatened to overwhelm at times but otherwise a truly passionate rendering of this challenging work. Brahms used a (beautifully played here) solemn flute as a soloist in the passacaglia until eventually trombones come into their own with their chunky solemn quasi sacred moment.”     …

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