Wednesday 25th May, 2016, 7:30pm
- Tchaikovsky The Tempest , 21′
- Glazunov Violin Concerto , 20′
- Tchaikovsky Symphony No. 5, 48′
Review by Clive Peacock, BachTrack:
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… “The recurring main theme, which links the four movements, sometimes dubbed the ‘fate theme’, offered Oliver Jones’ the opportunity to open the movement with beautiful clarinet playing, echoed by Joshua Wilson’s delightful bassoon efforts. Both returned towards the end of the movement in the most dramatic form. This gives way to one of Tchaikovsy’s most beloved themes, a poignant and seductive horn melody led by Elspeth Dutch before a dramatic interruption from Matthew Hardy’s fierce timpani playing, something he also achieved at the beginning of the evening during Tchaikovsky’s The Tempest.
During an evening of huge plusses with outstanding individual performances, the CBSO was well led by Zoe Beyers, firmly established as a very successful leader of the orchestra. With a Russian conductor, Alexander Vedernikov, very much at home with an all-Russian programme, the strong CBSO audience following was in for a treat. It is a sheer joy to listen to – and watch – the crisp pizzicato playing of the cello desks and those of the double basses.
Dance-like themes open the minor key third movement – probably his fateful theme seeking happiness. Vedernikov showed his supreme confidence in the CBSO’s capability, allowing Beyers to lead the playful runs in the strings before taking back the leadership for the furiously driven fourth movement with the many delicate shaded woodwind passages acknowledged with nods of approval by a very pleased conductor. He deliberately sought the hands of the several brass, wind and string players at the end of a superb performance.” …