Thomas Adès: New Horizons

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Wednesday 11 June 2014 at 7.30pm

Symphony Hall, Birmingham +44 (0)121 345 0600

City of Birmingham Symphony Orchestra

Thomas Adès  conductor
Nicolas Hodges  piano

Ravel: Mother Goose (complete) 28′
Barry: Piano Concerto (CBSO co-commission: UK premiere) 20′
Coll: Piano Concertino (UK premiere) 10′
Adès: Tevot 22′
Listen on Spotify

As both internationally-renowned composer and visionary conductor, Thomas Adès is one of the most compelling figures in the contemporary arts, bringing a unique insight to everything he performs. Today, Ravel’s fairy-tale ballet and his own orchestral tour de force Tevot (composed for the Berlin Philharmonic) book-end two fantastic premieres from renowned contemporary pianist Nicolas Hodges: the exuberant Concertino by the young Spanish composer Francisco Coll, and a new Piano Concerto by musical maverick and allround entertainer Gerald Barry. Be ready for anything – except the routine!

“…cascades of sound fragments, insanely loud and soft scales, polyrhythmic adventures and massive chord chunks are hammered by the London pianist Nicolas Hodges with elegant authority…” (Süddeutsche Zeitung – Wolfgang Schreiber)

“The world premiere of Gerald Barry’s Piano Concerto came less hermetically, carried rather with wit and from the playing of the top form pianist Nicolas Hodges with the BR Symphony Orchestra.” (Münchner Merkur – Anna Schürmer)

If you like this concert, you might also like:
Strauss and Shakespeare, Wednesday 18th June

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Article by Christopher Morley in conversation with Nicholas Hodges, Birmingham Post:

Click here for full article

…     “Soloist on both occasions was the pianist Nicolas Hodges, who says of Barry’s Concerto: “Like Gerald Barry, his Piano Concerto is quick-witted, gripping and provocative. It’s like Baroque on speed. It’s too much fun.”

He adds: “After university, as a little-known young pianist, I was eager to commission him, but it didn’t work out. Two decades later, I happened to be in Los Angeles and managed to catch his opera The Importance of Being Earnest. Backstage afterwards I plucked up the courage to ask him again, and this time it was a Yes!”

Nicolas Hodges connections with the CBSO go back a long way.

“It’s always great to be back in Birmingham,” he says.”     …

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Review by Christopher Morley, Birmingham Post:

Click here for full review

…      “Best I can say is that the performance came over with the clarity of Mozart.

Ades began his programme with Ravel’s Mother Goose ballet, beautifully shaped and glowing, concertmaster Laurence Jackson touchingly communicative in all registers, double-basses wonderfully grunting under Ades’ fluid, flickering baton.

But best of all was Ades’ own Tevot, scored for a huge orchestra (seven percussionists, no less), resonances of Mahler and Holst, and its textures and sonorities scything with accents. It ends with warm triumph, like Roy Harris’ Third Symphony of nearly a century ago. This was the only piece in this programme I’d genuinely welcome hearing again.

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Review by Andrew Clements, Guardian:

Click here for full review

…     “At the centre of this concert, framed between Ravel’s Mother Goose ballet and Adès’s own Tevot, were two UK premieres, both works for piano and orchestra composed for Nicolas Hodges, who was the soloist here.

Gerald Barry‘s Piano Concerto is typically irreverent, but typically affectionate too. It takes conventional concerto rhetoric and stands it on its head, cramming it into a 25-minute single movement as a careering series of no-holds-barred confrontations between the piano, with its weaponry of forearm clusters, torrents of repeated notes and rare precious moments of utter calm, and an orchestra that can muster rampaging brass, raucous woodwind and, at the breathtaking climax, a torrential toccata, with a couple of antiphonal wind machines thrown in too. It’s surreal, funny, and just a bit breathless, but it’s also a genuine virtuoso vehicle for Hodges, who played it with his usual unfussy brilliance.”     …

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Friday Night Classics: Film Music for Lovers

Friday 12 February 2010 at 7.30pm

Symphony Hall, Birmingham +44 (0)121-780 3333

Michael Seal  conductor
Tommy Pearson  presenter
David Arnold  special guest
Ben Dawson  piano

Steiner – Gone with the Wind: Tara’s Theme
Herrmann – Vertigo: Main Title & Love Theme
Barry – Out of Africa – Main theme
Rota – Romeo & Juliet – A Time for Us
Lai – Theme from Love Story
Addinsell – Warsaw Concerto
Arnold – Independence Day: Closing Titles
Doyle – Much Ado About Nothing – overture
Warbeck – Shakespeare in Love – suite
Rachmaninov – Piano Concerto no. 2 – slow movement
Arnold – Casino Royale: Love theme and Bond theme (arr. Arnold)
Horner – Titanic
Armstrong – Love Actually – Glasgow Love Theme
Jarre – Dr Zhivago: Lara’s Theme
Williams – ET: Adventures on Earth

The perfect treat for your Valentine, or simply the chance to snuggle up with the CBSO and enjoy a night of romantic music from some of the most heart-rending moments from the big screen. Featuring soundtracks by Arnold, Barry, Herrmann and others, this evening surely won’t leave a dry eye in the house. Chocolates and hankies not supplied!

Post-concert talk, c.9.45pm
Music from the Movies – Tommy Pearson interviews James Bond (and Little Britain) composer David Arnold.

www.cbso.co.uk