Autumn Classics

CBSO Benevolent Fund Concert

Featuring

Programme

  • Dmitri Shostakovich   Festive Overture
  • Edward Elgar   Salut d’amour
  • Fritz Kreisler   Liebesleid,  and Tambourin chinois
  • Antonín Leopold Dvořák   Slavonic Dances, Op.72, No.1
  • Alexander Glazunov   The Seasons: Autumn
  • Leonard Bernstein   West Side Story: Overture
  • Robert Farnon   À la claire fontaine
  • Henryk Wieniawski   Légende, Op. 17,  and Polonaise Brillante Op. 4 No. 1
  • Camille Saint-Saëns   Danse macabre
  • Pyotr Ilyich Tchaikovsky   Swan Lake: Act I Finale
  • Colin Twigg   Anton and Antonio

**  Support the CBSO Benevolent Fund here  **

 

Autumn: season of mists and mellow fruitfulness. But it’s also the time for a right old celebration, and in this delightfully entertaining concert in aid of the CBSO Benevolent Fund, former BBC Young Musician of the Year Jennifer Pike plays some of the most mouth-watering miniature treats in the violin repertoire. And then we crack open the vodka, as Shostakovich, Glazunov and Tchaikovsky start the party, Russian style! www.CBSO.co.uk

The CBSO Benevolent Fund is a registered friendly society, no.735F, supporting CBSO players and staff.

Review by John Gough, Midlands Music Reviews:

Click here for full review

[…]     “Shostakovich’s opening ‘Festive Overture’ went off like a rocket, with deft articulation, cracking string playing, balalaika-like pizzicatos, and a blaze of fanfares at the close.

The pace varied constantly. Elgar’s ‘Salut d’amour’ was sweet yet purposefully phrased. The orchestra was joined by golden toned violinist Jennifer Pike in two Kreisler pieces, by turns dazzling and melting, producing an audibly contented sigh from the audience at the end of ‘Liebesleid’. She returned later with two attractive and entertaining pieces by Wieniawski.” […]

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Tchaikovsky’s Fifth

Symphony Hall, Birmingham

Wednesday 25th May, 2016, 7:30pm

City of Birmingham Symphony Orchestra

Programme

  • Tchaikovsky  The Tempest , 21′
  • Glazunov  Violin Concerto , 20′
  • Tchaikovsky  Symphony No. 5, 48′

Something incredible happens when a Russian maestro conducts Russian music; and former Bolshoi music director Alexander Vedernikov has Tchaikovsky’s Fifth Symphony in his blood. Expect grand passions, tender moments, and melody after wondrous melody in a concert that features a rare performance of the luscious violin concerto by the “Russian Mendelssohn” Alexander Glazunov – plus Tchaikovsky’s gloriously uninhibited take on Shakespeare’s The Tempest.

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Review by Clive Peacock, BachTrack:

Click here for full review

…     “The recurring main theme, which links the four movements, sometimes dubbed the ‘fate theme’, offered Oliver Jones’ the opportunity to open the movement with beautiful clarinet playing, echoed by Joshua Wilson’s delightful bassoon efforts. Both returned towards the end of the movement in the most dramatic form. This gives way to one of Tchaikovsy’s most beloved themes, a poignant and seductive horn melody led by Elspeth Dutch before a dramatic interruption from Matthew Hardy’s fierce timpani playing, something he also achieved at the beginning of the evening during Tchaikovsky’s The Tempest

During an evening of huge plusses with outstanding individual performances, the CBSO was well led by Zoe Beyers, firmly established as a very successful leader of the orchestra. With a Russian conductor, Alexander Vedernikov, very much at home with an all-Russian programme, the strong CBSO audience following was in for a treat. It is a sheer joy to listen to – and watch – the crisp pizzicato playing of the cello desks and those of the double basses.

Dance-like themes open the minor key third movement – probably his fateful theme seeking happiness. Vedernikov showed his supreme confidence in the CBSO’s capability, allowing Beyers to lead the playful runs in the strings before taking back the leadership for the furiously driven fourth movement with the many delicate shaded woodwind passages acknowledged with nods of approval by a very pleased conductor. He deliberately sought the hands of the several brass, wind and string players at the end of a superb performance.”     …

 

Tchaikovsky and Philip Glass

Wed 5 May 7:30pm at Symphony Hall

Moscow State Symphony Orchestra
Pavel Kogan conductor
Chloë Hanslip violin

Borodin Polovtsian Dances from Prince Igor*
Philip Glass Violin Concerto 30’
Tchaikovsky Symphony No 5 50’

  • The Polovtsian Dances replaces the originally advertised Overture

The Moscow State Symphony Orchestra is one of Russia’s leading orchestras. At the very heart of its repertoire lies Tchaikovsky’s Fifth Symphony – a journey from dark and brooding tragedy to an overwhelming sense of energy and fulfilment. Young British violinist Chloë Hanslip takes centre stage for the clean, pulsating lines of Philip Glass’s unforgettable Violin Concerto.

Classic FM’s Anne-Marie Minhall, says of tonight’s recommended concert: “Philip Glass is one of America’s best-known living composers. His Violin Concerto is a Classic FM favourite. The second movement in particular manages to be both haunting and moving at the same time.”

Chloe Hanslip’s Encore –

Moscow State Sympony Orchestra’s Encores – Dvorak- Slovonic Dances No 1, Glazunov- Spanish Dance from Raymonda

Review by Norman Stinchcombe, Birmingham Post:

http://www.birminghampost.net/life-leisure-birmingham-guide/birmingham-culture/music-in-birmingham/2010/05/14/review-moscow-state-symphony-orchestra-at-symphony-hall-65233-26431443/

…”It’s not a virtuosic work but Hanslip ensured that the second movement’s slow and sinuous theme was elegant, yet erotic, while the cadenza-like duet with timpani – Glass’s nod and wink to Beethoven’s concerto perhaps – was excellent.” …