Singalong with the CBSO: Mozart’s Requiem

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Sunday 25th January 2015 at 7.00pm

Symphony Hall, Birmingham +44 (0)121 345 0600

City of Birmingham Symphony Orchestra

Simon Halsey  conductor
Gwawr Edwards  soprano
Gaynor Keeble  alto
Alexander Sprague  tenor
Jeremy Huw Williams  baritone
CBSO Chorus

Mozart: Requiem 45′
Listen on Spotify

Ever wondered what it’s like to sing live at Symphony Hall with the full CBSO? Now’s your chance to find out, in this one-off performance from scratch of Mozart’s Requiem. And whether you’re a choral society veteran or have only ever sung in the shower, you’re welcome to rehearse and perform it today, under the CBSO’s world-famous chorus director Simon Halsey.

Singer information: rehearsals start at 1.30pm; details will be sent with singer tickets. Scores: we will be using the Novello edition. To hire a score with Simon Halsey’s rehearsal markings, purchase the Singer & Score Hire ticket when booking. NB If you’re not bringing your own score, pre-booking score hire is essential. Collect your pre-booked score on the day.

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Bryn Terfel

Friday 7th June

Symphony Hall

Manchester Concert Orchestra

Bryn Terfel bass-baritone

Gwawr Edwards soprano

Caryl Hughes mezzo-soprano

Programme:

Mozart            Don Giovanni:  Overture

Madamina il catalogo è questo

Donizetti        Linda di Chamounix: O luce di quest’ anima

Mozart             Le nozze di Figaro: Overture

Bizet               Carmen: Toreador Song

Offenbach      Les Contes d’Hoffman: Allez! Pour te livrer combat…scintilla, diamant

Gounod          Faust: Faites lui mes aveux

Delibes           Lakmé: Sous le dome épais (Flower Duet)

Verdi               Falstaff: Ehi! Paggio! … L’onore!

Verdi               Nabucco: Overture

Verdi               Don Carlo: Ella giammai m’amo

Wagner           Tannhäuser: O du mein holder Abendstern

Rossini           La Cenerentola: Non piu mesta

Gounod          Roméo et Juliette: Je veux vivre

Mozart             Don Giovanni: Fin ch’han dal vino (Champagne aria)

Lerner and Loewe     Camelot: How to Handle a Woman

Loewe and Lerner     My Fair Lady: I Could Have Danced All Night

D’Hardelot     Because

Bock and Harnick     Fiddler on the Roof: If I Were a Rich Man

Richards        Cymru Fach (Dearest Wales)

Encores

Rossini           Duetto buffo di due gatti (Meow Song)

Hughes (Welsh lyrics)    Ar Hyd y Nos (All Through the Night)

A commanding presence in the international music world, the acclaimed and award winning operatic powerhouse
Bryn Terfel performs specially chosen arias by  Mozart, Rossini and Gounod. www.thsh.co.uk

 

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Review by Katherine Dixson, BachTrack:

Click here for full review

…     “More Verdi for “Ella giammai m’amo” from Don Carlo, in which Terfel’s heartfelt outpourings were matched by laments on the principal cello, rightly acknowledged during the applause.  Following several helpings of Italian and French, the evening’s one German offering was “O du mein holder Abendstern” from Wagner’s Tannhäuser, Terfel masterfully inhabiting the role of Wolfram while atmospheric strings shimmered like a shroud over the land.

A foray into the world of musical theatre gave us a few songs in English, including a fabulous “If I were a rich man” from Fiddler on the Roof, although Terfel claimed to have only sung it in Welsh before!  Lilting Welsh folksong Cymru Fach rounded off the official programme, Terfel, Edwards and Hughes joining together in exquisite harmony, evoking hills, valleys, emotion and pride.  Dearest Wales indeed.”     …

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Review by David Harte, Birmingham Post:

Click here for full review

…     “And he’s a very fine singer, even when shouting top notes, as he did in Leporello’s Catalogue aria (Don Giovanni) and the Toreador’s Song from Carmen. The Diamond aria from Les Contes d’Hoffman and Falstaff’s tirade to Bardolph and Pistol, however, were more subtly moulded to Terfel’s ebullient delivery, and he threw off Don Giovanni’s tongue-twisting Champagne aria with terrific precision.

The evening’s high spots were undoubtedly ‘Ella giammai m’amo’ from Verdi’s Don Carlo (with a gorgeous cello solo) and ‘O du mein holder Abendstern’ (Tannhäuser), sung with poker face integrity and demonstrating just how sensitive Terfel can be when not striving for effect.”     …