- Newman – 20th Century Fox Fanfare
- Williams – Star Wars Theme
- Williams – Episode 1: The Phantom Menace Flag Parade
- Williams – Anakin’s Theme
- Williams – Adventures of Jar-Jar Binks
- Williams – Duel of the Fates
- Williams – Episode 2: Attack of the Clones Across the Stars
- Williams – Yoda’s Theme
- Williams – The Imperial March
- Williams – Episode 3: Revenge of the Sith Battle of the Heroes
- Williams – Episode 4: A New Hope Here They Come!
- Williams – The Cantina Band
- Williams – Princess Leia’s Theme
- Williams – Throne Room
- Williams – Episode 5: The Empire Strikes Back Asteroid Field
- Williams – Episode 6; Return of the Jedi Luke and Leia’s Theme
- Williams – Parade of the Ewoks
- Williams – The Forest Battle
- Encore Williams – The Imperial March
A long time ago in a galaxy far, far away… John Williams lifted his baton and cued one of the greatest scores in movie history. As the world awaits the launch of Episode VII, conductor Michael Seal, the CBSO and voice actor Marc Silk, who can be heard in the Phantom Menace film, present John Williams’ music from all six Star Wars films, from A New Hope to Revenge of the Sith. The Force is strong with this one!
Review by Justine Halifax, Birmingham Mail:
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“Breathtaking and spectacular are the only worthy words I can use to sum up a concert staged at the Symphony Hall in honour of the music of the incredible Star Wars series.
CBSO 2015-16 Friday Night Classics: Star Wars proved not only to be an audible treat, one of which the great maestro John Williams himself would be proud of, but a visual delight, too.
With a welcome in the foyer for the arriving audience from both a storm trooper and a sandman, the tone of this memorable evening was set before we’d taken our seats.
This fantastic two-hour concert, performed to a packed hall of both young and old Star Wars’ fans, saw the amazing City of Birmingham Symphony Orchestra join forces with the awesome CBSO Chorus. […]
[…] For me the most spectacular pieces were those that featured the Chorus, including a breathtaking rendition of the Duel of Fates from Episode 1.” …
Review by Paul Marston, BehindTheArras:
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“IT’s not unusual to hear people leaving City of Birmingham Symphony Hall Concerts saying ‘that was out of this world’.
But this performance went even further, it was out of the universe for Star Wars fans who packed the Symphony Hall to enjoy the dramatic music of the legendary John Williams which adds so much to the thrilling movies.
Many youngsters were there with their parents for the latest Friday Night Classics, and one man admitted to going down the aisle to Star Wars music….and in full costume.
Williams, a big fan of British orchestras, sent a personal message from Los Angeles thanking the orchestra and conductor Michael Seal for performing so much of his music – written to ‘smack you in the eye’ – and regretting that he couldn’t be in the Symphony Hall for the event.” …
Review by Selwyn Knight, TheReviewsHub:
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… “As the films were originally released through 20th Century Fox, there can be no other way to open than with the 20th Century Fox Fanfare, quickly followed by the Star Wars main theme. This is, of course, instantly recognisable to all, whether fans of the franchise or not. It sounds simple hiding a complex structure. The CBSO effortlessly reproduces the sound and changing moods. They are assisted in this, as ever, by the wonderful acoustics of the purpose-built Symphony Hall, an appropriate home for such grandeur.
Our conductor, Michael Seal, conducts energetically, appearing at times to be using his baton to dig the notes out.
It is astonishing to think that, despite some familial resemblances, the music for each Star Wars film is quite different to the others. There are themes – epic brass motifs, flowing strings, moments of introspection, and a vast variety of tuned percussion giving that slightly unsettling otherworldly feel – but each piece has its own personality. That is especially true of the charming and witty The Cantina Band from Episode 4: A New Hope. A cut-down jazz band featuring guitar and drum kit evokes that smoky jazz club atmosphere while still retaining an element of strangeness, causing smiles to propagate around the vast hall.
Supporting the CBSO is the CBSO Chorus, a vast choir of local people who come together under their director, Simon Halsey, to sing symphonic choral music. Their contribution to Duel of the Fates from The Phantom Menace and to the stirring and martial Battle of the Heroes from Revenge of the Sith that closes the first half is excellent, if a little surprising to some members of the audience seated behind them as they leap to their feet in unison during Duel of the Fates.” …
Review by Mark Newbold, StarWars.com:
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… “Led by conductor Michael Seal, the CBSO started with Alfred Newman’s 20th Century Fox fanfare before launching into the familiar Star Wars theme from A New Hope. Then came one of the many musical surprises of the night as the piece ended not with the A New Hope credits, but with the triumphant end moments of Return of the Jedi. Seal was clearly loving it, encouraging his musicians to take a bow to rapturous applause at every opportunity. His enthusiasm was infectious, feeding the music-hungry crowd and leading them into a selection of themes from The Phantom Menace. “The Flag Parade” was presented in a very unfamiliar arrangement before leading into “Anakin’s Theme” and the “Adventures of Jar Jar Binks.” The City of Birmingham Chorus made themselves known, standing to perform the dramatic vocals from “Duel of the Fates.” In a room like this, with a knowledgeable crowd and an orchestra at the top of their game, it was an exhilarating moment.
Attack of the Clones — surely the most underrated of all the Star Wars scores — was next with Across the Stars, and from there we were treated to “Yoda’s Theme” and the “Imperial March” from The Empire Strikes Back. A perennial crowd-pleaser, “The Imperial March” is certainly the best known Star Wars theme after the “Main Title” itself. Revenge of the Sith was next and once again the CBSO Chorus were used to great effect in “Battle of the Heroes,” sending the audience off to the intermission on a high.” …